On adultery:
"Why fool around with hamburger when you have steak at home?"
In response to
radio interviewer who asked if he would co-star with Robert Redford in sequel to Indecent Proposal (1993) "Like a rocket!...I'd shack up with anyone for a million dollars. I'd shack
up with a gorilla for a million, plus 10 percent."
"You should
see us when we get back to the bedroom." [on the success of Newman-Woodward collaborations, 1974]
In 1982:
"Acting is like letting your pants down - you're exposed."
The embarrassing
thing is that my salad dressing is out-grossing my films.
On philanthropy:
"You can only put away so much stuff in your closet".
"I really
just can't watch myself. I see all the machinery at work and it just drives me nuts."
"If I ever
feel like I'm doing something I've done before, I scrap it and start over again."
"When I
realized I was going to have to be a whore, to put my face on the label, I decided that the only way I could do it was to
give away all the money we make. Over the years, that ethical stance has given us a 30 per cent boost. One in three customers
buys my products because all the profits go to good causes and the rest buy the stuff because it is good."
"It's all
been a bad joke that just ran out of control. I got into food for fun but the business got a mind of its own. Now - my good
Lord - look where it has gotten me. My products are on supermarket shelves, in cinemas, in the theater. And they say show
business is odd."
"I like
racing but food and pictures are more thrilling. I can't give them up. In racing you can be certain, to the last thousandth
of a second, that someone is the best, but with a film or a recipe, there is no way of knowing how all the ingredients
will work out in the end.
The best
can turn out to be awful and the worst can be fantastic. Cooking is like performing and performing like cooking."
"I'm a
supporter of gay rights. And not a closet supporter either. From the time I was a kid, I have never been able to understand
attacks upon the gay community. There are so many qualities that make up a human being... by the time I get through with all
the things that I really admire about people, what they do with their private parts is probably so low on the list that it
is irrelevant."
[Talking about
Alfred Hitchcock]: "I think Hitch and I could have really hit it off, but the script kept getting
in the way".
"You can't
be as old as I am without waking up with a surprised look on your face every morning: 'Holy Christ, whaddya know - I'm still
around!' It's absolutely amazing that I survived all the booze and smoking and the cars and the career."
"I was
always a character actor. I just looked like Little Red Riding Hood."
"If you're
playing a poker game and you look around the table and can't tell who the sucker is, it's you."
"Every
time I get a script it's a matter of trying to know what I could do with it. I see colors, imagery. It has to have a smell.
It's like falling in love. You can't give a reason why."
"For those
of you who like to scarf your popcorn in the sack, the good news is that Newman's Own contains an aphrodisiac."
"Being
on President Nixon's enemies list was the highest single honor I've ever received. Who knows who's listening to me now and
what government list I'm on?"
"I started
my career giving a clinic in bad acting in the film, 'The Silver Chalice,' and now I'm playing a crusty old man who's an animated
automobile [in 'Cars']. That's a creative arc for you isn't it?"
"I never
ask my wife about my flaws. Instead I try to get her to ignore them and concentrate on my sense of humor. You don't want any
woman to look under the carpet, guys, because there's lots of flaws underneath. Joanne believes my character in a film we
did together, 'Mr. and Mrs. Bridge' comes closest to who I really am. I personally don't think there's one character who comes
close . . . but I learned a long time ago not to disagree on things that I don't have a solid opinion about."
"Study
your craft and know who you are and what's special about you. Find out what everyone does on a film set, ask questions and
listen. Make sure you live life, which means don't do things where you court celebrity, and give something positive back to
our society." - his advice to young actors just starting out
"I've repeatedly
said that for people as little in common as Joanne and myself, we have an uncommonly good marriage. We are actors. We make
pictures and that's about all we have in common. Maybe that's enough. Wives shouldn't feel obligated to accompany their husbands
to a ball game, husbands do look a bit silly attending morning coffee breaks with the neighborhood wives when most men are
out at work. Husbands and wives should have separate interests, cultivate different sets of friends and not impose on the
other...You can't spend a lifetime breathing down each other's necks."
Twenty-five
years ago I couldn't walk down the street without being recognized. Now I can put a cap on, walk anywhere and no one pays
me any attention. They don't ask me about my movies and they don't ask me about my salad dressing because they don't know
who I am. Am I happy about this? You bet.
"I've been
accused of being aloof. I'm not. I'm just wary."
[What wife
Joanne Woodward thinks of his love for racing] "She thinks competitive driving is the silliest thing in the world. It is also
very scary for her, and she doesn't much care for it."
"The first
time I remember women reacting to me was when we were filming Hud in Texas. Women were literally trying to climb through the
transoms at the motel where I stayed. At first, it's flattering to the ego. At first. Then you realize that they're mixing
me up with the roles I play - characters created by writers who have nothing to do with who I am."
"I had
no natural gift to be anything--not an athlete, not an actor, not a writer, not a director, a painter of garden porches--not
anything. So I've worked really hard, because nothing ever came easily to me."
"Better
than Montana ... and my wife and I found a nice cemetery
here." [Why he decided to stay in Connecticut]
"It's like
chasing a beautiful woman for 80 years. Finally, she relents and you say, 'I'm terribly sorry. I'm tired."' [After winning
his first Oscar after so many losses]
"That I
survived the first film I did ["The Silver Chalice"] was extraordinarily good fortune. I mean, I had dogs chasing me down
the street. I was wearing this tiny little Greek cocktail dress - with *my* legs! Good Lord, it was really bad. In fact, it
was the worst film made in the 1950s. My first review said that 'Mr Newman delivers his lines with the emotional fervor of
a Putnam stop conductor announcing local stops.'"
"I can
remember in my high-school days and I kept thinking to myself: "Now, why did those actors go out in public after a certain
age?" I mean, why would they wanna blow this image they'd worked so hard and allow themselves to be photographed? They should
have just stayed at home and stayed young and youthful. And now it's there for everybody to look at - all our words, stuttering,
and bad posture. All those things that should never happen, really. Well, times change. Yeah, it ain't so bad!"
"We are
very, very different people and yet somehow we fed off those varied differences and instead of separating us, it has made
the whole bond a lot stronger." -on his marriage to Joanne.
"After
the success of "Picnic", I had a lot of offers from Hollywood
and I never accepted any of them. Finally, my agent said 'you know, they're going to keep knocking on your door and knocking
on your door and at some point they're going to stop. So you better make sure you say *yes* before that stop occurs.' That
was when somebody sent me a copy of "The Silver Chalice" and I got talked into it. I knew that was going to be a bomb." -
explaining why he chose to do "The Silver Chalice."
[Robert
Redford on Paul Newman] "He tells the worst jokes. And that wouldn't be so bad if he didn't keep repeating them over and over."
- 2005
"I picture
my epitaph: 'Here lies Paul Newman, who died a failure because his eyes turned brown.'"
"I think
I get a very unfortunate view of the press. I think of what is written about me, about 5% of it is accurate. I'm not comfortable
with them, they're not comfortable with me. I certainly am not comfortable with photographers. -1970's
[Talking
about his days as a member of the Actor's Studio] "I remember someone who helped me a lot in my early days. We were just rehearsing
a scene and I remember she stopped me with an absolute rifle shot of a clap and grabbed my shirt and said 'You are not thinking,
you are just thinking you are thinking.' And if you watch actors, you can tell those who don't necessarily indicate in broad
strokes what's going on, but you can really see in their eyes that they are going through a process."
"I'm always
puzzled by this talk about star...image. I think there's people who are writers or barbers or mechanics or race car drivers
that have certain recognizable personalities, and I don't think just because they happen to be on the screen that it makes
them any more exceptional."
I will
continue to get behind the wheel of a racing car as long as I am able. But that could all end tomorrow...
In the
early days of films, the movie star in this country replaced royalty. They've been demoted since then but they're still treated
as beings larger than life.
A man can
only be judged by his actions, and not by his good intentions or his beliefs.
Acting
is a question of absorbing other people's personalities and adding some of your own experiences.
Almost
everything I learned about being an actor came from those early years at the Actor's Studio.
I would
like it if people would think that beyond Newman, there's a spirit that takes action, a heart, and a talent that doesn't come
from my blue eyes.
I don't
think there's anything exceptional or noble in being philanthropic. It's the other attitude that confuses me.
I'd like
to be remembered as a guy who tried - who tried to be part of his times, tried to help people communicate with one another,
tried to find some decency in his own life, tried to extend himself as a human being. Someone who isn't complacent, who doesn't
cop out.
"A man
with no enemies is a man with no character."
"Men experience
many passions in a lifetime. One passion drives away the one before it."
"Once I
started taking drama classes, I asked myself why I had ever wasted so much time on a football team."
"As long
as my heart continues to beat, I think I will continue."
Acting
isn't really a creative process, it's an interpretative one.
The characters
I have the least in common with are the ones I have the greatest success with. The further a role is from my own experience,
the more I try to deepen it.
"To be
an actor, you have to be a child."
Joanne
has always given me unconditional support in all my choices and endeavors, and that includes my race car driving, which she
deplores. To me, that's love.
Robert Redford on Newman: "He has the attention span of a bolt of lightning."
"You can't
stop being a citizen just because you have a Screen Actors' Guild card."
"Ever since
"Slapshot" I've been swearing more. I knew I had a problem one day when I turned to my daughter and said: 'Would you please
pass the fucking salt?'."
"I wasn't
driven to acting by an inner compulsion. I was running away from the sporting goods business."
"I'm not
able to work anymore as an actor and still at the level that I would want to. I'm just, you know, you start to lose your memory,
you start to lose your confidence, you start to lose your invention. So I think that's pretty much a closed book for me."
I have
a face that does not belong to a thief. [When asked why he thinks he became so successful as an actor]
"I have
an extraordinary attention span. I manage to juggle two or three different ideas at the same time, and that's probably, if
I have a gift, that's probably the best gift that's given me." (2007)
Speaking
of a $10 million donation he made to his alma mater: "I owe Kenyon
College a great deal. I even started my first business, a laundry service,
there, and I depended on the extra $60 a week."